Personal Expression – KNZ Clan http://knz-clan.com/ Sat, 25 Sep 2021 01:01:10 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://knz-clan.com/wp-content/uploads/2021/06/icon-1-150x150.png Personal Expression – KNZ Clan http://knz-clan.com/ 32 32 Peter Bunnell, eminent photographer and “essential” figure of the University Art Museum, dies at 83 https://knz-clan.com/peter-bunnell-eminent-photographer-and-essential-figure-of-the-university-art-museum-dies-at-83/ https://knz-clan.com/peter-bunnell-eminent-photographer-and-essential-figure-of-the-university-art-museum-dies-at-83/#respond Fri, 24 Sep 2021 22:38:35 +0000 https://knz-clan.com/peter-bunnell-eminent-photographer-and-essential-figure-of-the-university-art-museum-dies-at-83/ Peter Bunnell, David Hunter McAlpin Professor Emeritus of the History of Photography and Modern Art and Professor of art and archeology, emeritus, died at his home in Princeton on September 20 after a long illness. He was 83 years old. Judy Dater (American, born 1941), Peter Bunnell, 1977. Gelatin silver print, 34.1 x 26.7 cm […]]]>

Peter Bunnell, David Hunter McAlpin Professor Emeritus of the History of Photography and Modern Art and Professor of art and archeology, emeritus, died at his home in Princeton on September 20 after a long illness. He was 83 years old.

Bunnell joined Princeton School in 1972 as the first David Hunter McAlpin professor of the history of photography and modern art – the first endowed professorship in the field in the United States. He also spent over 30 years at Princeton University Art Museum – as curator of photography, museum director (1973-1978) and interim director (1998-2000).

“During his career at Princeton, Peter Bunnell, through his teaching, curation and collection, has been instrumental in making the Department of Art and Archeology and the Princeton University Art Museum premier centers plan for the study of the history and theory of photography, ”said Rachael DeLue, Christopher Binyon Sarofim ’86 professor of American art and chairman of the department of art and archeology. “The impact of his scholarship, at Princeton and beyond, has been and continues to be enormous, and he will be remembered as a vital member of the Art & Archeology community.”

“Peter was one of the most essential figures in the history of photography and the history of our museum,” said James Steward, Nancy A. Nasher – David J. Haemisegger, Class of 1976, Director. “No one did more than him to shape the field of photography or our collections at Princeton, but his national and international influence was also immense. Peter has taught, mentored and shaped generations of students, academics, curators and others. Stories of him bewitching students in class, surrounded by original artwork, are legion. He was also one of the nicest people you could hope to know.

Photographer Emmet Gowin, professor of visual arts at the Lewis Center for the Arts, emeritus and longtime colleague of Bunnell, recalled Bunnell’s gift for “awakening and touching the hearts and minds of students of all kinds, but above all his ability to connect with and support students who are trying to practice the art of photography on their own.

“I am one of the many students for whom Peter opened up the world of the history of photography,” said Malcolm Daniel, curator of photography at the Museum of Fine Arts in Houston. “His contagious enthusiasm for photography, his deep personal knowledge of his history and his unwavering dedication to his students sent me on a new path and a professional career that has been joyful and fulfilling. It’s no exaggeration to say that Peter has changed my life, and I know I’m not the only one with that feeling.

Born in 1937 in Poughkeepsie, New York, Bunnell met American photographer Minor White while a student at the Rochester Institute of Technology, where White’s classes fueled his nascent interest in photography. Bunnell went on to obtain an MA in Photography from Ohio University in 1961 under the tutelage of Clarence H. White Jr., the son of renowned American photographer Clarence Hudson White, as well as an MA in Art History. from Yale University in 1965.

Prior to joining Princeton faculty, Bunnell worked at the Museum of Modern Art from 1960 to 1972. As a curator of photography, he organized several major exhibitions, including the first study of the work of Clarence H. White and the seminal “Photography in sculpture”, which offered innovative new avenues to analyze and understand photography.

Bunnell oversaw the exhibition of the work of photographer Harry Callahan for the United States Pavilion at the 38th Venice Biennale in 1978. He was a fellow of the Guggenheim Foundation in 1979 and an honorary member of the Royal Photographic Society.

In 1989, Bunnell organized “Minor White: The Eye That Shapes”, which interpreted White’s photographic achievements in connection with former photographers such as Alfred Stieglitz, Ansel Adams and Paul Strand. The exhibit traveled to six other venues, including the Museum of Modern Art in New York, the Museum of Modern Art in San Francisco, and the Museum of Fine Arts in Boston.

Bunnell was instrumental in securing the Minor White and Clarence H. White archives for the Princeton University Art Museum, making it a vital center for 20th century photographic research. Princeton’s Minor White Project encourages research into the publication of the artist’s work, legacy and influence, in part through an annual scholarship program.

“Peter Bunnell has always championed photography as an art form,” said Anne McCauley, David H. McAlpin professor of the history of photography and modern art. “An accomplished fundraiser who had a plan when he was hired at Princeton to set up a center for the collection, study and teaching of the medium, Peter made it all possible. He valued creative expression in all its forms and conveyed his enthusiasm to his friends and students.

Thanks to Bunnell’s leadership, the Princeton University Art Museum today holds one of the largest repositories of historical photographs in North America, including modern Japanese photography in which Bunnell was a pioneering curator and collector. Thanks to the generosity of several alumni, the Museum’s photography curatorial was named in Bunnell’s honor in 2011.

Among the many volumes that Bunnell wrote and edited during his long career include “Minor White: The Eye That Shapes,” which won the George Wittenborn Memorial Book Award from the Art Libraries Society of North America; “A Photographic Vision: Pictorial Photography, 1889–1923”; “Edward Weston in the photograph”; “Aperture Magazine Anthology: The Minor White Years, 1952-1976”; and “Photography at Princeton”, published to mark the 25th anniversary of the creation of the Museum’s photography collection.

“Long after his retirement, Bunnell happily remained an invaluable source for researchers in the history of photography who appealed to his memories of first-hand encounters with twentieth-century photographers, memories aided by binders filled with decades. of carefully taken notes, newspaper clippings and other seldom-saved ephemera – an invaluable resource that will become available to future researchers at the Princeton Art Museum and Firestone Library, ”said Daniel.

A celebration of Bunnell’s life and career will take place at a later date.


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Muse Mantra School of Music & Arts offers music lessons for beginners and professional artists in The Woodlands, TX https://knz-clan.com/muse-mantra-school-of-music-arts-offers-music-lessons-for-beginners-and-professional-artists-in-the-woodlands-tx/ https://knz-clan.com/muse-mantra-school-of-music-arts-offers-music-lessons-for-beginners-and-professional-artists-in-the-woodlands-tx/#respond Fri, 24 Sep 2021 13:35:02 +0000 https://knz-clan.com/muse-mantra-school-of-music-arts-offers-music-lessons-for-beginners-and-professional-artists-in-the-woodlands-tx/ The Woods, Texas – Muse Mantra School of Music & Arts inspires beginner and professional artists to be successful in their art by offering them music lessons. The school offers lessons in guitar, piano, bass guitar, cello, flute, vocals, ukulele, drums, violin and music production. All of their music teachers have great knowledge and experience […]]]>

The Woods, Texas – Muse Mantra School of Music & Arts inspires beginner and professional artists to be successful in their art by offering them music lessons. The school offers lessons in guitar, piano, bass guitar, cello, flute, vocals, ukulele, drums, violin and music production. All of their music teachers have great knowledge and experience in teaching music. To ensure competence, management checks the backgrounds of music teachers. The school also provides real-time video streaming of music lessons to parents’ phones so they can monitor their child’s progress.

The school uses a personalized music program to meet the musical needs of each student. Classes offered by the school include guitar, piano, voice, ukulele, drums, cello, flute and violin. All lessons are offered to people of different ages. Children as young as four years old can register for free piano and ukulele lessons. Since early learning of music improves children’s development by increasing their IQ and instilling self-esteem, the school is happy to offer these classes to younger children. “My 5 year old daughter is learning piano here, and their teachers have been great in teaching her in a way that keeps my daughter interested. So much so that we have just increased her class time, because she always wants more. Said a satisfied customer.

Apart from these lessons, Muse Mantra School of Music and Art provides musical exploration and music production. To qualify for music production courses, one must be at least twelve years old. These services are part of the company’s primary objective, to enable adults and children to learn and value music. The academy teachers and staff work hard and smart to ensure that learning is more fun and comfortable for the students. Interested learners can register for music lessons on the school’s website. School hours are Monday to Friday: 11:00 a.m. – 8:00 p.m. and Saturday: 10:00 a.m. – 2:00 p.m. There are no classes offered on Sundays.

The academy also offers music lessons, a makeup policy and a loyalty sponsorship program. Music provides people with many benefits, such as exposure to other cultures, improved joy, and self-expression. “We love Muse Mantra. They not only teach technical skills, but they also inspire and nurture personal expression and the joy of music. The school brings out the best in learning musicians and feels like family. Said a student at the music academy.

Muse Mantra School of Music & Arts is located at 3335 College Park Drive, Suite 500, The Woodlands, TX, 77384, USA. For general inquiries, contact their team by calling (936) 267-2958 or click here to go to Muse Mantra School of Music & Arts. For more information on their music lessons services, visit their website.

Media contact

Company Name
Muse Mantra School of Music and Art
Name of the contact
Tarab ali
Telephone
(936) 267-2958
Address
3335 College Park Road, Suite 500
City
Woods
State
Emission
Country
United States
Website
https://www.musemantra.com/


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MUSD offers innovative and specialized academic courses https://knz-clan.com/musd-offers-innovative-and-specialized-academic-courses/ https://knz-clan.com/musd-offers-innovative-and-specialized-academic-courses/#respond Thu, 23 Sep 2021 19:40:47 +0000 https://knz-clan.com/musd-offers-innovative-and-specialized-academic-courses/ Each child is unique and all have diverse interests and needs that stimulate their curiosity. Maricopa Unified School District offers a wide range of top-notch programs for families interested in innovative academic and specialty courses. MUSD COMMUNITY PRESCHOOL SCHOOLThe MUSD community kindergarten features fun, skill-based activities that help kids explore science, literacy, math, art, music, […]]]>

Each child is unique and all have diverse interests and needs that stimulate their curiosity. Maricopa Unified School District offers a wide range of top-notch programs for families interested in innovative academic and specialty courses.

MUSD COMMUNITY PRESCHOOL SCHOOL
The MUSD community kindergarten features fun, skill-based activities that help kids explore science, literacy, math, art, music, and more. Our rich curriculum aligns with Arizona’s Early Learning Standards to develop skills and promote healthy socio-emotional development. Students work and play together to explore their curiosities, build confidence, and develop problem-solving skills for a love of lifelong learning.

For more information or to book the next available opening call:
Butterfield Elementary School – 520-568-6100
Santa Cruz Primary School – 520-568-5170
Santa Rosa Primary School – 520-568-6150

DUAL LANGUAGE IMMERSION PROGRAM
The Bilingual immersion program introduces preschool and kindergarten students to a second language. The world of bilingualism, bi-literacy and cultural skills comes to life as students receive instruction and explore content in English and Spanish. Dual language immersion develops the building blocks that will prepare students to speak a second language fluently.

For more information, contact Santa Rosa Primary School at 520-568-6150

MARICOPA VIRTUAL ACADEMY (K-12)
Academics who thrive in independent and online learning models are ideal for Maricopa Virtual Academy. The program combines rigor and flexibility to capture a full online experience. Because MVA is part of the Maricopa Unified School District, we offer a unique online experience taught by MUSD certified teachers. This model enables personalized instruction and guidance by teachers and guidance counselors right here in Maricopa.

For more information, contact Maricopa Virtual Academy at 520-568-5196 ext. 1072.

MIXED LEARNING
Blended learning courses are available at Maricopa Wells and Desert Wind Colleges. The program offers a learning environment that combines traditional teaching and project-based learning at your own pace, imbued with rigor and relevance. Students put their forward-thinking, creative problem-solving skills to the test by collaborating on projects aimed at solving real-world problems.

For more information, contact Desert Wind Middle School at 520-568-7110 or Maricopa Wells Middle School at 520-568-7100.

CAREER AND TECHNICAL TRAINING
Career and Technical Education (CTE) prepares students for a range of high-demand skilled trades in a global society. Students take certified courses and gain practical experience in their future careers. The programs include:

  • Networks and IT systems
  • Sports medicine
  • Automotive
  • Academic and professional technology
  • AFJROTC
  • Digital photography
  • Culinary
  • Staging
  • Graphic design
  • Marketing
  • Engineering

New for this year are Aviation, Education and Agroscience.

For more information, contact Maricopa High School CTE at 520-568-8100 ext. 4015.

AP CAPITAL STONE
The innovative program enables students to develop the skills that matter most to college success, such as research, collaboration, and communication. Students register for one-year courses in AP seminar and AP research. Students who score 3 or higher in both classes earn an AP Seminar and Research certificate. Students can also pursue an AP Capstone degree by achieving a grade of 3 or higher in the AP Seminar and AP Research and on four additional AP exams of their choice, signifying outstanding academic results and the acquisition of academic skills and college-level research.

For more information, contact Maricopa High School at 520-568-8100 ext. 4094.

ARIZONA STATE SEAL OF ARTISTIC SKILL
The Arizona Master of Arts Seal was adopted to celebrate students who demonstrate high levels of mastery of Arizona arts education standards through personal expression and creative experiences in the programs. arts education.

For more information, contact Maricopa High School at 520-568-8100 ext. 4094.


This story was first published in the September edition of InMaricopa magazine.


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Experiment to stop online abuse fails in Germany https://knz-clan.com/experiment-to-stop-online-abuse-fails-in-germany/ https://knz-clan.com/experiment-to-stop-online-abuse-fails-in-germany/#respond Thu, 23 Sep 2021 07:00:13 +0000 https://knz-clan.com/experiment-to-stop-online-abuse-fails-in-germany/ “We have zero tolerance for hate speech and support the goals of NetzDG,” Facebook said in a statement. Twitter, which received around 833,000 complaints and deleted around 81,000 messages during the same period, said a majority of those messages did not meet the definition of illegal speech, but still violated the terms of service of […]]]>

“We have zero tolerance for hate speech and support the goals of NetzDG,” Facebook said in a statement.

Twitter, which received around 833,000 complaints and deleted around 81,000 messages during the same period, said a majority of those messages did not meet the definition of illegal speech, but still violated the terms of service of the company.

“Threats, abusive content and harassment all have the potential to silence individuals,” Twitter said in a statement. “However, regulation and legislation like this also have the potential to dampen free speech by encouraging regimes around the world to legislate as a way to stifle dissent and legitimate speech.”

YouTube, which received around 312,000 complaints and removed around 48,000 pieces of content in the first six months of the year, declined to comment on anything other than saying it was in compliance with the law.

The amount of hate speech has become increasingly pronounced during the election season, according to researchers at Reset and HateAid, organizations that track hate speech online and push for tougher laws.

The groups examined nearly a million comments on far-right and conspiratorial groups on about 75,000 Facebook posts in June, concluding that about 5% were “highly toxic” or violated the law on speeches. hate online. Some of the worst content, including posts with Nazi symbolism, had been online for more than a year, the groups found. Of the 100 posts reported by the groups to Facebook, about half were deleted within days, while the rest remain online.

The election also saw a wave of disinformation, including false allegations of electoral fraud.

Annalena Baerbock, the 40-year-old Green Party leader and the only woman among the top candidates to succeed Merkel, has been subjected to disproportionate abuse compared to her male rivals from other parties, including sexist ones. insults and disinformation campaigns, according to researchers.


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The 5 best bridesmaids fashion trends for 2021 – Film Daily https://knz-clan.com/the-5-best-bridesmaids-fashion-trends-for-2021-film-daily/ https://knz-clan.com/the-5-best-bridesmaids-fashion-trends-for-2021-film-daily/#respond Wed, 22 Sep 2021 16:10:04 +0000 https://knz-clan.com/the-5-best-bridesmaids-fashion-trends-for-2021-film-daily/ Being a bridesmaid is one of the most memorable experiences a girl will ever share with her friends. It’s super exciting to receive a bridesmaid proposal, and you definitely want to know what to expect when it comes to dress code. It might be a long time since your last gala, but don’t worry. From […]]]>

Being a bridesmaid is one of the most memorable experiences a girl will ever share with her friends. It’s super exciting to receive a bridesmaid proposal, and you definitely want to know what to expect when it comes to dress code. It might be a long time since your last gala, but don’t worry.

From classics like pearl jewelry to decidedly modern styles like mix ‘n match dresses, we’ve compiled the top bridesmaid fashion trends for 2021. Read on to find out more.

1. Pearls

Eco-consciousness is more than a trend. This is a major concern for couples today when planning their nuptials. In terms of jewelry, the June birthstone is natural, timeless, distinctly feminine, and certainly not throwaway fashion, making it a top choice for bridesmaids and brides in 2021.

Pearls are also eternally popular because of their elegance and simplicity. A necklace, bracelet, and simple stud earrings or drop earrings go perfectly with any dress and hairstyle, so you have less to worry about on D-Day. Vintage jewelry is also extremely hot. this year, so don’t hesitate to apply for a loan from your family members.

You could save a lot of time while also bringing a sense of history to the ceremony. Heirloom jewelry also makes a great conversation piece. If a search of your mother’s jewelry box turns out to be nada, pearls are never a bad investment because they will certainly wear you out. Well maintained, they will last for years, allowing you to pass them on to your own family and create your own legacy.

2. Hair bands

Beautiful in themselves and flattering to the wearer, headbands are one of the best accessories bridesmaids wear this year. Face-framing and economical, headbands are as practical as they are pretty. They keep your hair in place without giving you a headache – a big plus when you have a long day ahead of you.

Personal expression is another mega-trend of 2021 and headbands are doing the trick. Many brides allow their nuptials to choose their own accessories so that each can express her individuality.

Styles for 2021 run the gamut from classic grosgrain embellished with pearls to bling sequins. Crystals are eternally popular, as are embroidery. Flowers are also on trend, and for added fun some bridesmaids are sporting eye-catching feathers this year. In short, your imagination is the only limit.

3. Eclectic dresses

One of the hottest trends for dresses this year is allowing each bridesmaid to choose her own dress, giving each person the freedom to choose. the one that best suits his style. Bridesmaids mix prints and solids, hems and fabrics. Long flowing dresses are very popular, as are slits up to the thighs. Boho is also big, so feel free to go wild with the ruffles if that’s your vibe.

If sleek and sophisticated are more your speed, luxury fabrics like velvet and silk charmeuse are also all the rage in 2021. The key to keeping a bridal party looking like a wedding rather than another celebration is to choose. a dominant color for the crew to stick to and create an intentional and unified overall look.

4. Dreamy blue and green

Shades of pink have been the color of choice for bridesmaids for so long, but blue and green tones are fresh and new in 2021. For warmer climates, dusty blue, sweet sage, and elegant olive are a must have. popular choices. For cool-weather weddings, rich jewelry tones like emerald and sapphire are all the rage.

But again, the name of the game is picking the color that’s right for you (and the bride). Peacock blue is gorgeous, rich forest green is a natural choice for outdoor decor, and midnight blue isn’t too dark for a stylish evening. Hopefully you will be able to wear your pretty dress again.

5. Vivid flowers

Many parties and guest lists have been reduced this year. In a more intimate setting, every detail counts. Having said that, people have waited a long time to have fun, and they expect to make the most of every minute. Rather than traditional muted colors like white, cream, and blush for their flower color palette, couples go for bolder hues like orange, hot pink, and even black.

The flowers themselves are equally expressive, with brides choosing playful bouquets, including peonies, Gerbera daisies, and astilbe for her bridesmaids. Green awareness is found in flowers, and many brides opt for low-key, unassuming bridesmaids’ bouquets over huge bouquets, and seasonal flowers are extremely popular as well.

Lots of 2021 weddings were slated to take place in 2020. Because so many couples had more time to plan their nuptials, flower symbolism is another hot trend, like yarrow for good fortune or sweet peas for Gratitude. A variety of textures are also used, including the mixture of fresh and dried flowers for the bouquets.

Now that you know what to expect when it comes to fashion, go ahead with confidence and enjoy it. This year’s weddings are all about expressing the real you, whether you are a bridesmaid, bride or guest. We’ve all earned the right to have some serious fun!


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25 years later, Carolyn Bessette-Kennedy’s wedding dress is still stunning https://knz-clan.com/25-years-later-carolyn-bessette-kennedys-wedding-dress-is-still-stunning/ https://knz-clan.com/25-years-later-carolyn-bessette-kennedys-wedding-dress-is-still-stunning/#respond Tue, 21 Sep 2021 21:52:19 +0000 https://knz-clan.com/25-years-later-carolyn-bessette-kennedys-wedding-dress-is-still-stunning/ For her marriage on September 21, 1996 to John F. Kennedy Jr., Carolyn Bessette was ready to surprise. It was one of the most anticipated nuptials since Princess Diana and Prince Charles, but instead of a cathedral filled with thousands of people, the couple chose the First African Baptist Church on Cumberland Island, Georgia, with […]]]>

For her marriage on September 21, 1996 to John F. Kennedy Jr., Carolyn Bessette was ready to surprise. It was one of the most anticipated nuptials since Princess Diana and Prince Charles, but instead of a cathedral filled with thousands of people, the couple chose the First African Baptist Church on Cumberland Island, Georgia, with around 40 guests in attendance. For their rehearsal dinner and reception, they celebrated at the Island’s Greyfield Inn, where most of their guests have also stayed.

The wedding was an event, but the dress was what changed everything. Bessette chose her close friend Narciso Rodriguez, who had worked with her at Calvin Klein and instantly made the designer a household name; the following year, he launched his own eponymous label. “It was a great moment in my career but also a great moment in my personal life,” he said. Vogue in 2018. “Someone I loved very much asked me to make the most important dress of his life. This life turned out to be much shorter than expected at the time – Bessette-Kennedy was 33 when she and her husband died in a private plane crash in July 1999.

Her fashion legacy, however, lives on. Twenty-five years after Carolyn Bessette-Kennedy ”Hands down changed the wedding dress game, the people who saw it happen are looking back.

The most famous photograph of the evening was taken by Denis Reggie, a longtime Kennedy family photographer who says he captured 25 Kennedy marriages. He broke the newlyweds as they walked down the steps of the candlelit church, which had no air conditioning and only eight pews.

Reggie: It was an incredibly magical moment. I saw it as it unfolded, almost in silhouette. It was practically dark outside. John grabbed Carolyn’s hand; she was caught off guard. I walk backwards in the fine rain at dusk, and John makes this amazing gesture, taking her hand and bringing it to his lips.

John and Carolyn asked Reggie to choose the photo that would go public two days later on Monday, September 23.

Reggie: It was beautiful, the spontaneity of this gesture. For a celebrity to be so warm and to show her love that way, that was great. The previous time we had seen John Kennedy with an expressive gesture, that was 33 years ago, at his father’s funeral on his third birthday. It was such a revealing and interesting moment, saying hello to his father. Then, at her own wedding, another incredibly kind princely gesture. I was really moved by this and Carolyn’s surprise. I loved his expression, that says it all. The way she flowed in her beautiful dress, moving at full speed, down the steps. This was happening in real time, and in no way posed or arranged. It was indicative of how the marriage was – natural and timing, not trying to be more than it was in its simplicity. He had such incredible elegance and romance; the authenticity of the whole, its simplicity gives it real power. It was a really special photograph.

What I remember the most is the way they hang out. They exuded an affection that was beautiful to see, the love felt that weekend and that night on Cumberland Island. It’s what I remember most: the magical feeling of the two of them together, the way they were.

Carolyn’s veil was silk tulle and she wore Manolo Blahnik crystal beaded satin sandals; on her arms were long white gloves, and in her hands a discreet bouquet of lilies of the valley. Her hair was tied in a bun and held in place by a clip that belonged to her stepmother, Jacqueline Kennedy Onassis. She specifically requested that the photo Reggie chose to post show Rodriguez’s dress.

Reggie: She said, “Show the dress. My dear friend designed the dress. She knew it would be a time when the dress would fully show…. The dress was lovely and very fitted. She certainly wore it beautifully and it was made for her. It was charming in its simplicity and elegance and was very much in keeping with the theme or mood of the wedding. It was five star perfection.

Old Harper’s Bazaar editor-in-chief Kate Betts, who was working at the time Vogue: We were a generation who grew up watching Diana get married on television in 1981 in this iconic wedding dress. In 1996, it was still a pretty iconic wedding dress. Vera Wang and Carolina Herrera simplified their designs, but not as simple as a slip dress. [Carolyn’s dress] was revolutionary in that for someone to wear something so simple. He crystallized this trend [minimalism] fashionable. It was her aesthetic, and her wedding dress was a very, very daring expression of that minimalism.

Fashion designer Ann mashburn: [Carolyn] worked in fashion and was a fashion person. Having worked for Calvin Klein, her dress made sense to me. She dressed like this in the photos and when I saw her in the Calvin Klein showroom. For it to be a slip dress, it’s a bold thing to wear; it’s not even corseted. You have to be confident; I could never wear it. Her dress was perfect for the place where she got married.


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The exhibition explores the place and the culture during the lockdown https://knz-clan.com/the-exhibition-explores-the-place-and-the-culture-during-the-lockdown/ https://knz-clan.com/the-exhibition-explores-the-place-and-the-culture-during-the-lockdown/#respond Tue, 21 Sep 2021 12:33:45 +0000 https://knz-clan.com/the-exhibition-explores-the-place-and-the-culture-during-the-lockdown/ The Clayden Gallery at Newport’s Quay Arts Center hosts an exhibition of three artists who explored their experiences of place and culture through different mediums, while their individual circumstances forced each of them to isolate themselves during the lockdown. Melanie Swan, Sylvia Radford and Amanda Seale have worked together since meeting in 2018 and have […]]]>

The Clayden Gallery at Newport’s Quay Arts Center hosts an exhibition of three artists who explored their experiences of place and culture through different mediums, while their individual circumstances forced each of them to isolate themselves during the lockdown.

Melanie Swan, Sylvia Radford and Amanda Seale have worked together since meeting in 2018 and have previously exhibited together as part of a larger group show ‘Emergence’ in 2019 at West Dean College, West Sussex.

A Place to Call Home is open Monday through Sunday from 9 a.m. to 4 p.m. until Saturday, October 2, 2021.


Melanie Swan
Melanie’s practice embraces traditional mediums and materials to create individual works and installations. His workshop is filled with collected objects and experiences, collected over the years.

Separated from these treasures during the lockdown, unable to access her studio, she started a new collection which became her “Cabinet of Curiosities”, the source of new explorations in textiles and photography, including dyed silk panels. and stitched and lumen prints.

Melanie is currently studying in the Tapestry Foundation Program at West Dean College in West Sussex.

Instagram: @ melanie.swan | Website: melanieswanstudio.com

Sylvie radford
Sylvia’s paintings using the Western tradition of oils on canvas revel in the exploration of personal expression in a transnational context. As a British-Singaporean, having lived her life between the UK and South East Asia, her work explores ideas that negotiate identity, community and belonging, and more broadly l impact of hybridity on the social landscape of the modern global era.

Here I am from Sylvia Radford
Here I am from Sylvia Radford

Synthesizing memories and family photographs in black and white, and drawing on observation and the history of art, she creates colorful paintings that also question visions of exoticism. Sylvia’s work “Morning Sun” has been shortlisted for the Viking Cruises British Art Prize, 2021. Sylvia will be undertaking a Masters of Fine Arts in September 2021 at West Dean College, West Sussex.

Instagram: @ sylvia.radford

Amanda Seale
Amanda’s background in horticulture and stitching is the basis of her embroidery and rug making practice. His work draws on experiences gained while living in Devon, as well as Tokyo, Japan, as well as recent research into traditional carpet-making practices in Morocco and the UK, in particular in the north of England. Inspired by the landscapes of Devon and Cornwall, where she now lives, her works express the deep connection she must establish.

Foreground 'Coastal Seascape' by Amanda Seale.  Sylvia Radford murals
Foreground ‘Coastal Seascape’ by Amanda Seale. Sylvia Radford murals

Amanda captures the overall physicality of color and outline in her hand-tufted sculpted paintings, textiles and rugs. Amanda is currently studying in the Tapestry Foundation Program at West Dean College in West Sussex.

Instagram: @amanda_seale | Website: www.amandaseale.uk



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Star Wars: 10 Benefits of Being a Jedi https://knz-clan.com/star-wars-10-benefits-of-being-a-jedi/ https://knz-clan.com/star-wars-10-benefits-of-being-a-jedi/#respond Mon, 20 Sep 2021 22:30:00 +0000 https://knz-clan.com/star-wars-10-benefits-of-being-a-jedi/ The Star wars The galaxy is home to many powerful and unique beings, from terrifying Sith Lords and Interstellar Crime Lords to Jedi Knights striving to keep the peace. Since the earliest days of the Galactic Republic, the Jedi have dedicated themselves to the light side of the Force, always for the good of others. […]]]>

The Star wars The galaxy is home to many powerful and unique beings, from terrifying Sith Lords and Interstellar Crime Lords to Jedi Knights striving to keep the peace. Since the earliest days of the Galactic Republic, the Jedi have dedicated themselves to the light side of the Force, always for the good of others.

RELATED: 10 TV Characters Who Would Be Great Jedi

The Jedi Order is not without its flaws, and there are distinct drawbacks to being a member of this Order. Then again, Jedi of all ages and species can also experience many benefits and perks of this station in life, which can give them a lot of fulfillment and contentment in their lives.


ten Jedi are given a sense of purpose

Just like in the real world, many people in the Star wars galaxy must be grappling with a lack of direction, wondering what they should be devoting their lives to. Having a clear purpose can be extremely empowering, and Jedi are never aimless.

Even in the face of difficulties or antagonism, Jedi can take comfort in knowing that they are always serving the greater good, and it is a job worth doing well. It can help boost the morale of any downed Jedi.

9 Young Jedi don’t have another life to miss

Some people in the Star wars galaxy might think it’s questionable or even scandalous for Jedi to adopt children and force them to know only how Jedi grow up. But there are potential benefits to this.

A young Jedi has known only the Order, and by design, he will have no past life, family, or friends to be desired. This keeps them from feeling conflicted or homesick, which helps focus the young person’s mind. It’s not a perfect system, but it works.

8 The Jedi have wise masters to consult

Mace Windu in Star Wars

Not all Jedi are equally wise or powerful. Like everyone else, a Jedi must learn and grow over the course of their career, and sometimes they may need guidance, wisdom, or reaffirmation. Despite their training, the Jedi are still human beings, regardless of their species, and they have pseudo-parental figures to admire.

RELATED: Star Wars (Original Trilogy): Every Jedi’s Biggest Failure

Members of the Jedi Council can do more than make political decisions or drive out the Sith Lords. They also act as gentle, nurturing guides and protectors for any young Jedi in need of a little help. Even the fierce and independent Anakin Skywalker once returned to Master Yoda for help with his troubling dreams.

7 The Jedi have a precognition of strength for defense

Anakin Skywalker Star Wars

Jedi Knights are defensive by nature, using many talents to protect themselves and the innocent people around them. One of their best defensive tools is precognition, the ability to detect things before they happen via the Force. This is a serious advantage for anyone with a Force sensitivity, especially trained Jedi.

In The phantom menaceQui-Gon Jinn noted that even without training young Anakin could sense things before they happened, and with a little practice a Jedi can take that to the next level. This is how they can easily dodge ranged attacks and deflect blaster fire so precisely.

6 Jedi can use force telekinesis

The Force bestows many gifts on its sentient holders, Jedi and Sith Lords. Some powers are primarily associated with the Jedi or typically the Sith, while other Force powers are more neutral, such as telekinesis. Any Jedi or Sith Lord can move objects from a distance, even large and heavy ones.

RELATED: Avatar: 10 Benefits of Being a Non-Master

Jedi often use Force push or telekinesis to remove obstacles in their path, get people out of harm’s way, stop a fleeing vehicle, catch criminals, or save lives, and they don’t even need a lightsaber to do it. Intelligent Jedi can find all kinds of uses for the Force.

5 Jedi can use lightsabers with great skill

For a Sith Lord, a lightsaber is a weapon, and for a Jedi, they are tools of peace and defense. One of the greatest benefits of being a Jedi is the privilege of being able to design and build your own lightsaber, and that saber can act as a personal expression of its wearer.

Some Jedi and Sith Lords rely more on their lightsabers than others, and notably, even Darth Sidious was not very fond of lightsaber combat. Yet many people must openly envy the Jedi for having such fantastic tools by their side.

4 Jedi can earn the gratitude and admiration of the people

Qui-Gon Jinn from the Star Wars Prequel Trilogy

It’s safe to say that overall, the galaxy has mixed feelings about the Jedi Order, and the hateful Jedi and Jedi Hunters are some of the Order’s worst enemies aside from the Sith Lords. A lot of people don’t like the Jedi as holier intruders than you, but not everyone agrees.

RELATED: My Hero Academia: 8 Benefits of Not Having Weirdness

The Jedi act on behalf of the innocent and the weak, and no doubt many people, organizations and even entire governments owe everything to the Jedi to help them with diplomacy or defensive combat. Some Jedi must feel good about themselves when they save the day.

3 Jedi can live as ghosts of the force

Luke forces the Rise of Skywalker ghost

Even Jedi must end up facing death, but death isn’t always the end. In the original film trilogy, Obi-Wan returned as a Force ghost to lecture Luke Skywalker once again, and then the redeemed Obi-Wan, Yoda, and Anakin happily watched everyone celebrate the fall. of the Empire.

Two generations later, Luke Skywalker gave his life to save the Resistance from Kylo Ren’s wrath, and he returned as a Force ghost to help Rey complete his training. Even Yoda returned as a Force ghost while Luke was still alive in The Last Jedi, prompting him to focus more on the present.

2 The Jedi have little to lose

Obi-Wan talks to Luke about his father

Ideally, each Jedi will live an ascetic, monk-like lifestyle with very little personal possessions other than their lightsaber and basic survival / travel gear. For some people, it is unfortunate to give up all their material possessions and wealth, but others think that “wealth” comes in less tangible forms.

For a true Jedi, wealth is the satisfaction of a job well done, and they will never be stressed out about losing their belongings or their money. With so few material attachments, a Jedi can be relaxed and free, as the Order demands. It can be liberating to have such a minimal personal inventory.

1 Jedi can visit the galaxy

It is true that some planets, moons or space stations in the galaxy are miserable tourist destinations, such as the arid deserts of Tatooine or the swamps and sub-cities plagued by crime. Sometimes Jedi have to visit such unsavory places for a mission, but on the increase, they can also visit wonderful places for work.

Jedi tend to travel a lot to help people everywhere, and a typical Jedi can greatly benefit from this opportunity to visit beautiful planets and cities while meeting new people and exploring foreign cultures. Some Jedi must find this truly inspiring and be motivated to protect these various cultures and civilizations at all costs.

NEXT: 10 Benefits Of Being An Isekai Protagonist

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Bigg Boss Marathi 3: Sneha Wagh’s expression after seeing ex-husband Avishakar Darvhekar is unmistakable; here is what internet users think https://knz-clan.com/bigg-boss-marathi-3-sneha-waghs-expression-after-seeing-ex-husband-avishakar-darvhekar-is-unmistakable-here-is-what-internet-users-think/ https://knz-clan.com/bigg-boss-marathi-3-sneha-waghs-expression-after-seeing-ex-husband-avishakar-darvhekar-is-unmistakable-here-is-what-internet-users-think/#respond Mon, 20 Sep 2021 12:16:00 +0000 https://knz-clan.com/bigg-boss-marathi-3-sneha-waghs-expression-after-seeing-ex-husband-avishakar-darvhekar-is-unmistakable-here-is-what-internet-users-think/ Bigg Boss Marathi Season 3 kicked off Sunday, September 19 with a bang. Many well-known personalities have entered the house as candidates and Avishkar Darvhekar and Sneha Wagh are among them. Sneha entered the home of Bigg Boss Marathi 3 as the third contender. Later, Sneha Wagh’s ex-husband Avishkar Darvhekar also entered the house. Sneha […]]]>
Bigg Boss Marathi Season 3 kicked off Sunday, September 19 with a bang. Many well-known personalities have entered the house as candidates and Avishkar Darvhekar and Sneha Wagh are among them. Sneha entered the home of Bigg Boss Marathi 3 as the third contender. Later, Sneha Wagh’s ex-husband Avishkar Darvhekar also entered the house. Sneha was shocked to see him in the house. His reaction was inescapable.

Sneha’s reaction to seeing her ex-husband Avishkar in the house also caught the attention of internet users.

One user wrote: “# BiggBossMarathi3 What happened between #SnehaWagh and #AvishkarDarvhekar She did not meet him cordially”

Another user said: “Ooooo..there is a controversy between #snehawagh and #avishkardarvhekar. Some masala are coming # BiggBossMarathi3 # BBM3”

One user said: “” #AvishkarDarvhekar Contestant # 7 seems overconfident and has a history with #SnehaWagh # bbmarathi3 ”

One user wrote on social media: “I think big boss Marathi came after so long that they wanted to use #Snehawagh and her husband like shilpa and vikas. And yes, a lot of people are making it their favorite without watch a single episode. abhi to hua hai’s first show. #BiggBossMarathi

Another user said Sneha Wagh and her ex-husband may reveal their personal issues on TV. User said: “bahut active rahti toi during BB11 & 12 .. I THINK KAFI HINDI BIGGBOSS AUDIENCE NE TO INKO # BiggBossMarathi3 main apna favorite bhi bana liya hoga! But yeh & inka ex my husband ab # BBM3 MAIN apni personal life k public questions k beech rakhenge or wo accha nahi hoga ”

For strangers, Avishkar is Sneha’s ex-husband. She married actor Avishkar Darvhekar at the age of 19. After a few years of marriage, Sneha divorced. She reportedly filed a domestic violence complaint against him. Sneha then married Anurag Solanki, who was an interior designer. They later broke up.



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NYT Crossword Answers: James who played Sonny Corleone https://knz-clan.com/nyt-crossword-answers-james-who-played-sonny-corleone/ https://knz-clan.com/nyt-crossword-answers-james-who-played-sonny-corleone/#respond Sun, 19 Sep 2021 22:00:04 +0000 https://knz-clan.com/nyt-crossword-answers-james-who-played-sonny-corleone/ Normally I would find out a bit about the awesome grid design and how unusual it is to see three themed entries covering the grid in a Monday themed puzzle, but the builder’s notes do a great job of explaining the challenges. to do this puzzle which I leave it to our builder to explain. […]]]>

Normally I would find out a bit about the awesome grid design and how unusual it is to see three themed entries covering the grid in a Monday themed puzzle, but the builder’s notes do a great job of explaining the challenges. to do this puzzle which I leave it to our builder to explain. (And I recommend reading the entire note – it’s lovely and thoughtful.)

I’m a Queens born social worker living in New Orleans, and this is my first puzzle in The New York Times. Fifteen years ago, in 2006, I started doing crossword puzzles and eventually landed a weekly construction job for my college newspaper, The Daily Reveille., at LSU My puzzles had themes that ranged from campus monuments To LSU football rivalries To Baton Rouge Mardi Gras. After I graduated, I moved to New Orleans and continued to create locally themed puzzles for the now defunct alternative newspaper, The NOLA Defender. I broke conventions with the national puzzles I used to see by allowing two letter words in the grid and collecting as many anecdotes related to South Louisiana as possible. As far as I know, these are the first and only puzzles that were made in Louisiana, for Louisianans. I look back on these puzzles with gentleness and reverence, as they were serious expressions of my most important crossword puzzle value: making people feel seen. The puzzles were odes to my community in southern Louisiana, vehicles for me to validate the cultural perspectives of a region that is so deeply unique and special to me.

In 2012, I completely stopped doing puzzles. After a decade-long hiatus, I came across a resource that renewed my sense of puzzle-making: the Crossword Constructor Collaboration Directory, a Facebook group offering mentorship to builders who identify as women, people of color, homosexuals and other groups that have long lacked representation in the puzzle world. The group connected me to a larger movement of builders who also saw the crossword puzzle sphere as a platform for reimagining whose voices are heard. Through the group, I met builders whose encouragement and feedback allowed me to continue creating puzzles, so that I could finally fulfill a dream I’ve had since 2006: posting a puzzle in the New York Times. . In the end, it was a much longer trip than most of the beginnings. For all the moments of doubt that I went through, I am proud of myself today to have succeeded here.

It is poetic to start on a Monday, a day that welcomes beginner solvers and serves as a gateway to the other days of the week. In Monday fashion, the construction of this puzzle was simple and straightforward. It seems to me that almost every set of three to five things has already been turned into a crossword theme, so I was fortunate enough to find that this geological triplet had yet to be used by another builder. I was doubly lucky to find three thematic entries of 15 letters, which allowed maximum flexibility in the construction of the grid. My biggest dilemma was how to develop the theme. It’s rare that I find New York Times jigsaw puzzles with only three themed entries, so I figured a fourth would be needed. One option was to add a fourth layer – SKY? – but it seemed inelegant to me, if only because my earth science teacher in college taught me that the Earth has three layers, not four. Another option was to add a developer – CAN YOU DIG IT and BREAKING GROUND were a few ideas. Ideally, I would have liked to be able to find a sentence involving a dig that vertically intersected each layer in the center of the puzzle. None of these revealers had the right amount of letters to accommodate the other three entries. My last idea, the one I started with, was to add ROCKS and MAGMA as fun bonuses up and down. (The discovery that ASHES adjacent to the volcano could hold as a central vertical clue was entirely a coincidence.)

In terms of placing the black squares and filling the grid, the main issues were the NW and SE corners, where ROCKS and MAGMA were constraining. If I could do it again, I would try to push the GLUTEN FREE CRACK from one row to the fourth row, and ROTT from one row to the 12th row, to create more room to work in. these corners.

In the end, looking at the completed puzzle, I have regrets. I regret not having paid enough attention to the representation of proper names in the puzzle. The number of entries that center Whites and Eurocentric locations significantly exceeds the number of entries that center people of color and any other geographic location. Also, while watching “Shang-Chi” last week, I asked to change the hint so that LIU would refer to “Shang-Chi” star Simu LIU. Unfortunately, at the time of the request, I was told it was too late to make the change. As an Asian American, it would have been personally significant to draw attention to the actor or the film. I selfishly hope to start Simu Liu or “Shang-Chi” in a future puzzle.

Some things I’m happy about: As a gluten sensitive person whose favorite food unfortunately is pizza, I’m happy to draw attention to 17-Across for those with similar food sensitivities or allergies (and similar loves for pizza). I am happy to include SISQO and J COLE. Finally, it means the most to me that my ILS / THEM pronouns are debuting in NYT crosswords for the first time. I remember how nice it was to finish this riddle. While the fleeting sense of validation during a crossword puzzle is such a small consolation in the grand scheme of life, if my puzzle can make anyone feel like they’ve been seen a little more, it that’s what I’m here for.

Almost done solving but need a bit more help? We have what you need.


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